書籍紹介「The Repairing & Restoration of Violins (Horace Petherick)」書評レビュー

こちらのページでは「The Repairing & Restoration of Violins (Horace Pether)( Amazon / 楽天市場」の特徴について紹介させていただきたいと思います。

本書の特徴

情報として多くの情報が掲載されていますが、総じて文字情報にて解説されている傾向で、写真素材はなく、イラストもまばらな印象を受けます。

テキスト情報からも学ぶという根気強さがあるかたにとっては、多く情報を得れる書籍と考えますので、少し上級者向けといったところでしょう。

  1. ペグボックスの補修などについての解説が豊富
  2. 情報量は多いがイラストが少ないことに難あり

リペアの情報が豊富

ペグボックスの修復や継ぎネック、さらにはパフリングの欠損個所の修復について等の情報を得ることができます。

イラスト点数がもっと増えれば尚良し

前述のとおりテキストレベルでの習得がメインとなるので、ある程度の想像ができることが前提となりますので、知識と経験がある程度あることを前提に読んでいただくものとお考え下さい。

基本情報

The Repairing & Restoration of Violins (Horace Pether)
→書籍を探すAmazon / 楽天市場

ジャンルバイオリン修復
著者Horace Petherick
出版社SHORE&CO
ページ数139ページ
サイズ28 x 22 x 1 cm
定価
出版日

書籍の目次

  1. Introductory
  2. Slight Accidents—Modern Restorers—”Chattering”—The Proper Sort of Glue—Its Preparation and Use
  3. Mi4.—Injuries to the Head or Scroll—Insertion of Fresh Wood—Colouring of White Wood—Separation of Head from Peg-box and Re-joining—Stopping Material for Small Holes or Fractures—The Peg-box Cracked by Pressure
  4. Fracture of Peg-box and Shell—Chips from this Part—Filling up of Same—Restoration to Original Form, after Parts have been Lost—Worn Peg-holes, Re-filling or Boring Same
  5. Loosening of Junction of Graft with Peg-box, and Refixing Same—Grafting, Different Methods of Performing this—Lengthening the Neck—Old and Modern Method—Renewal of Same—Inclination of Neck and Fingerboard with Regard to the Bridge—Height of Latter, and Reason for It
  6. Finishing the Fingerboard—Fixing the Nut—Size and Position of Grooves for the Strings—Filing Down the Graft—Smoothing, Colouring, and Varnishing Same
  7. Injuries that can be Repaired from the Outside—Insertion of Fresh Wood in Fracture of the Ribs—The Effects of Climate on the Glue in Violins
  8. The Glue Used by the Early Italian Makers—Insertion of Pieces of Wood for Repairing Lost Parts—Replacing Lost Rib and Repairing Interior without Opening when Possible—Securing Loose Lower Rib to End Block—Different Methods—Treatment of Worm-holes—Fixing on Graft on Neck
  9. Ways of Removing the Upper Table and the Neck—Cleansing the Interior—Preservation of the Original Label—Closing of Cracks in Upper Table
  10. Getting Parts Together that apparently do not Fit—The use of Benzine or Turpentine—Treatment of Warped or Twisted Lower Tables
  11. Removal of Old Superfluous Glue by Damping—Replacing Old End Blocks by New Ones—Temporary Beams and Joists Inside for Keeping Ribs, etc., in Position while Freshly Glued
  12. Re-opening the Back to Correct the Badly Repaired Joint—A Few Words on Studs—Filling Up Spaces left by Lost Splinters—Matching Wood for Large Cracks, etc.
  13. Repairing Lost Portions—Margins of Sound Holes—Matching the Grain—Fixing and Finishing Off—Replacing with Fresh Wood Large Portions of Upper Table—Lost Parts of Purfling—Restoring It with Old Stuff
  14. Repairs to Purfling (continued)—Filling up an Opening Extending to the Whole Length of the Violin—Fitting the Core—Fixing it in Position and Retaining it There—Finishing the Surface
  15. Repairing Undertaken by People in Business not connected with that of Bowed Instruments—Removal of a Fixed Sound Post—Fitting a Fresh Part of Worm-Eaten Rib—Bringing Together the Loosened Joint of the Back Without Opening the Violin
  16. Insertion of Studs along the Joint Inside without Opening the Violin—Lining or Veneering a Thin Back
  17. The Bar in Olden Times—The Modern One—The Operation of Fitting and Fixing the Bar—Closing and Completion of the Repairs—Varnishing of the Repaired Parts having Fresh Wood
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